Tag Archives: Mary Ruefle

Week 20 UK Chapbook Chart 2018 – Kimiko Hahn

In Brood, Kimiko Hahn trains her eye on the commonplace–clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars–and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother’s death … Continue reading

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Week 19 UK Chapbook Chart 2018 – Kimiko Hahn

In Brood, Kimiko Hahn trains her eye on the commonplace–clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars–and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother’s death … Continue reading

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Week 18 UK Chapbook Chart 2018 – Prince Unsworth

A Chapbook of Poems is a new collection of 25 compositions by Prince Unsworth,  charting a voyage through the genres of Narrative, Horror, Love and Beauty. The poems vary in theme, shape, size and form, with such titles as Give … Continue reading

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Week 52 UK Chapbook Chart 2017 – Timothy Donnelly

“In time of crisis, we summon up our strength,” wrote poet Muriel Rukeyser. Poems for Political Disaster gathers poems–from the eve of the twenty-first century to the month following Trump’s election–to mark a moment of political rupture, summoning the collective … Continue reading

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Week 41 UK Chapbook Chart 2017 – Isabel Allende

Anyone wishing to read a book of stories that mesmerizes you like the first stories you ever heard need look no further than The Stories of Eva Luna. The framing premise is that Eva and her lover Rolf have relaxed … Continue reading

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Week 39 UK Chapbook Chart 2017 – Olena Kalytiak Davis 

Olena Kalytiak Davis returns to the No.1 position on the UK Chapbook Chart with On The Kitchen Table From Which Everything Has Been Hastily Removed. A new work from America’s wildest poet of the self, with her confessional poems which refuse to yield. She uses language as … Continue reading

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Week 38 UK Chapbook Chart 2017 – Mary Ruefle

“It is impossible for me to write about the imagination; it is like asking a fish to describe the sea,” Mary Ruefle announces at the start of her essay. With wit and intellectual abandon, Ruefle draws inspiration from Wittgenstein, Shakespeare, … Continue reading

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