Tag Archives: Kimiko Hahn

Week 37 Chapbook Chart 2018 – Sandra Cisneros

There is a fondness for animals in the story Puro Amor. “La casa azul,” the cobalt blue residence of Mister and Missus Rivera, overflows with hairless dogs, monkeys, a fawn, a “passionate” Guacamaya macaw, tarantulas, an iguana, and rescues that resemble “ancient Olmec … Continue reading

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Week 26 UK Chapbook Chart 2018 – Prince Unsworth

A Chapbook of Poems is a new collection of 25 compositions by Prince Unsworth,  charting a voyage through the genres of Narrative, Horror, Love and Beauty. The poems vary in theme, shape, size and form, with such titles as Give … Continue reading

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Week 25 UK Chapbook Chart 2018 – Prince Unsworth

A Chapbook of Poems is a new collection of 25 compositions by Prince Unsworth,  charting a voyage through the genres of Narrative, Horror, Love and Beauty. The poems vary in theme, shape, size and form, with such titles as Give … Continue reading

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Week 24 UK Chapbook Chart 2018 – Kimiko Hahn

In Brood, Kimiko Hahn trains her eye on the commonplace–clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars–and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother’s death … Continue reading

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Week 23 UK Chapbook Chart 2018 – Kimiko Hahn

In Brood, Kimiko Hahn trains her eye on the commonplace–clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars–and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother’s death … Continue reading

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Week 22 UK Chapbook Chart 2018 – Wayne Sleeth

Financial Times is the second chapbook published by British painter Wayne Sleeth. Since 2015 he has been re-interpreting certain works of French master Claude Monet, including his Nymphéas (MonetMonetMonet, ISBN  978-1-910578-27-8). Keen to re-appropriate Monet’s views of Westminster and the … Continue reading

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Week 21 UK Chapbook Chart 2018 – Kimiko Hahn

In Brood, Kimiko Hahn trains her eye on the commonplace–clothespins, bees, papaya, perfume, poached eggs, a sponge, fire, sand dollars–and reveals their very essence in concise evocative language. Underlying these little gems is a sense of loss, a mother’s death … Continue reading

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