Tag Archives: katharine Coggeshall

Week 3 Chapbook Chart 2019 – Jared Harél

In The Body Double, a downtrodden young man wakes one morning to find a mysterious twin living with him. Normally the presence of a doppelgänger would turn anyone’s world upside down, but in this case the two quickly settle into … Continue reading

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Week 49 Chapbook Chart 2018 – Joseph Massey

In his new chapbook, Present Conditions, Joseph Massey writes that “the weather within / is the weather without.” His poems chronicle a difficult winter where the universe grows colder, his speaker taking all day to “filter out the debris of … Continue reading

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Week 43 Chapbook Chart 2018 – Prince Unsworth

A Chapbook of Poems is a new collection of 25 compositions by Prince Unsworth,  charting a voyage through the genres of Narrative, Horror, Love and Beauty. The poems vary in theme, shape, size and form, with such titles as Give … Continue reading

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Week 38 Chapbook Chart 2018 – Sandra Cisneros

There is a fondness for animals in the story Puro Amor. “La casa azul,” the cobalt blue residence of Mister and Missus Rivera, overflows with hairless dogs, monkeys, a fawn, a “passionate” Guacamaya macaw, tarantulas, an iguana, and rescues that resemble “ancient Olmec … Continue reading

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Week 37 Chapbook Chart 2018 – Sandra Cisneros

There is a fondness for animals in the story Puro Amor. “La casa azul,” the cobalt blue residence of Mister and Missus Rivera, overflows with hairless dogs, monkeys, a fawn, a “passionate” Guacamaya macaw, tarantulas, an iguana, and rescues that resemble “ancient Olmec … Continue reading

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Week 36 Chapbook Chart 2018 – Timmy Reed

Poem, A Chapbook consists of one single poem addressing language, grammar, the connection between reader and writer, the physical nature of a chapbook as an artefact, and, most importantly, plain human love. Put it in your coat pocket, snuggled close to … Continue reading

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Week 35 Chapbook Chart 2018 – Timmy Reed

Poem, A Chapbook consists of one single poem addressing language, grammar, the connection between reader and writer, the physical nature of a chapbook as an artefact, and, most importantly, plain human love. Put it in your coat pocket, snuggled close to … Continue reading

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